I’ve covered the value of OverDrive and like digital library suppliers many times here, but it’s worth revisiting once more in mind OverDrive’s presence at the Beijing Book Fair last week.
From the OverDrive blog: (LINK)
“Over the last several years, OverDrive has made a significant investment to increase the amount of global content available for our library and school partners. We now offer 35,000+ Chinese titles from over 500 publishers in our online catalog, Marketplace, both in the U.S. and internationally. Additionally, Marketplace now features hundreds of thousands of titles from publishers in 63 countries and we add new titles each month in both Simplified and Traditional Chinese as well as Japanese, German, Spanish, Polish and many more languages. Titles include bestselling eBooks and audiobooks written in the native language as well as titles translated from English.”
But it’s not just about selling Chinese content in China. it’s about selling Chinese and other foreign language content globally.
From the Over Drive blog again, taking Chinese titles as an example,
“Libraries have responded by creating curated collections of community language content. Toronto Public Library, Los Angeles Public Library and Seattle Public Library all provide examples of digital collections featuring thousands of Chinese titles.”
This is where the true value of digital libraries for foreign-language content lies for us internationalist indies: accessing ex-pat and immigrant communities around the world that still want to read in their home language. Continue reading
Posted in China ebooks, Digital Libraries, discoverability, Gardners ebooks, Global ebook market, Global Ebook News Round-Up, global publishing, International ebook market, Latin America ebooks, Odilo, South America ebooks, StreetLib, Uncategorized
Tagged China ebook sales, digital libraries, Fiberead, OverDrive
I follow James Patterson with interest – not so much for the reading as for the presentation and innovation.
Patterson didn’t get to be the world’s biggest-selling author – bigger than Rowling –by hiding his books away from public view and sticking to safe bet formats.
His latest Book Shots project – titles of approx. 150 pages written for the new world of mobile consumers – is designed to chase reluctant readers for whom a full length title of 300 or 500 pages is a daunting prospect.
Stories at the speed of life, as they are cleverly branded.
But he takes that one step further still with his Dead Heat Book Shot, which with perfect timing is set in the Rio 2016 Olympics and released to coincide. And this is a 150 page standard Book Shot delivered in four parts, of just 35-40 pages each, and in the UK retailing at just 49p (a full Book Shot retails at £1.99 GBP).
Whatever we may think of the actual writing, we have to admire the packaging, marketing and timing.
Yes, we can all find things to complain about in the storylines, but Patterson isn’t pretending to be Shakespeare.
And no, despite the image, this is not a self-promo Buy My Book post!
When it comes to finding the path of least resistance we indies have it down to a fine art.
Even though all logic dictates that, unless we have a sweetheart deal with a retailer, being available as widely as possible is the best long-term career move we can make, it seems many indies will nonetheless convince ourselves it’s all soooo much effort that we’re better off just signing up to Select and crossing our fingers.
NB: This isn’t an anti-Select post. Select is a great tool and used wisely can bring its own rewards, but we should never chose an option simply because it’s quick and easy, or because we see big-name authors doing well in Select but who may well have special deals like White Glove, etc that are why they are doing so well when so many regular indies are not.
Especially when it’s so quick and easy to go from being just in Amazon’s dozen stores to being in 400-500 stores worldwide, and still be in those same dozen Amazon stores as well.
How quick and easy?